This is done differently for every tonearm out if you use a blank disc to check the arm should have a slightoutward bias toward the edge not the center of the record.
Vinyl distorion towards center.
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In the mid 2000s gradually records made of any material began to be called vinyl records or simply vinyl.
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Distortion in corner of image posted in beginning and intermediate imaging.
This is where linear tracking tables came in.
The groove usually starts near the periphery and ends near the center of the disc.
The recorded wavelengths for high frequencies at the inner grooves approach the grain size of the vinyl substrate particularly if the disc is made with cheap recycled vinyl so that also creates distortion problems because the vinyl doesn t actually store the required waveforms properly.
Mastering engineers will attempt to mitigate end of side distortion by pressing quieter songs with moderate bass and lower hf energy towards the center of each side.
Because more vinyl is passing under the stylus on the outer tracks of a record higher frequencies are recorded with much broader deflection.
At first the discs were commonly made from shellac.
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Alternatively they will restrict the playing time or spread an album over two discs to avoid inner grooves.
As the arm moves towards the center of the lp the stylus angle in relation to the groove changes.
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Starting in the 1940s polyvinyl chloride became common hence the name vinyl.
A properly aligned cartridge and arm can minimize the degree of change but there will always be some.
Distortion on the inner tracks also comes from the simple fact that there is significantly less velocity under the stylus on as the tone arm tracks towards the center.
They are tables where the arm does not pivot but slide across the face of the lp on a set of rails.